In an interview with Mashable India, the filmmaker mentioned that in 2012-2013, the notion of a hero was present process a gradual transformation. Within the northern areas, a hero was conventionally seen as a 6-foot-tall, truthful boy.In that context, Dhanush, who held stardom within the south, was perceived as unconventional. Nonetheless, the filmmaker asserted that regardless of this notion, when one watches Dhanush within the movie and observes his efficiency, there may be an plain attraction that surpasses any preconceived notions.
The director declined to reveal the criticisms or unfavorable feedback he acquired concerning Dhanush throughout that interval. Subsequently, the director and Dhanush collaborated on the movie Atrangi Re. They’ve additionally introduced their partnership for the upcoming film Tere Ishk Mein.
Rajinikanth’s grandson and Dhanush’s son Yatra FINED for using superbike with out license and helmet: Studies
In the middle of the dialog, Aanand L Rai addressed considerations about his movie Raanjhanaa allegedly selling stalking via the lead character’s actions. He acknowledged the accusations, stating that when confronted with claims of stalking, he contemplated on the angle, admitting that he wasn’t conscious if it certainly certified as stalking. Rai defined that, for the character in Varanasi, such habits was his approach of expressing love. Whereas he acknowledged it as incorrect, he clarified that he wasn’t making an attempt to defend it, emphasizing that it was the one approach the character knew to convey his feelings.
Actors Swara Bhasker and Abhay Deol, each related to the movie, had beforehand expressed their views on the film, suggesting that it glorified stalking. In 2020, Abhay Deol took to social media to precise considerations in regards to the movie’s regressive message. He said that Bollywood has typically portrayed a theme the place a boy is inspired to pursue a woman persistently till she relents, a story that, in actuality, can contribute to incidents of sexual violence. Abhay Deol emphasised the potential hurt of glorifying such habits on display screen, noting that it might result in victim-blaming in real-life conditions.
