Javed Akhtar not too long ago attended a session within the capital. Responding to the query of whether or not there was any change within the portrayal of feminine characters in movies, he stated, “Not change, there was a relentless change within the portrayal of ladies in cinema. It’s always altering.” He stated, “Important Chup Rahungi wali bhartiya naari jisko cinema ne itne samay tak exploit kiya hai.We’re at a degree once we know Sati Savitri that Bhartiya adarsh naari is out, however what’s the definition of the modern Indian ladies? Ye abhi clear nahi hai.” Giving an instance, he stated, “Ek movie aayi thi jismein heroine kehti hai shaadi karne se pehle duniya mein jitni nationality hai, har nationality ke aadmi ke saath soungi.’ Arey behen tu itni mehnat kyun karegi? Hum maan jaate hain ki tu empowered hai.”
He stated that movie writing continues to be not clear about easy methods to painting a contemporary, modern, empowered Indian girl.
He spoke about compositions, writing songs in movies, and stated writing for the bottom widespread denominator by no means results in a traditional tune. He stated, “Pichhle saal jo gaane aaye thay woh kisi ko yaad nahi hai. Lekin Shailendra ne jo 60 saal pehle likha tha woh aaj ke 20 saal ke logon ko bhi yaad hai. Wonderful work is at all times appreciated.”
He stated that movie writing continues to be not clear about easy methods to painting a contemporary, modern, empowered Indian girl.
He spoke about compositions, writing songs in movies, and stated writing for the bottom widespread denominator by no means results in a traditional tune. He stated, “Pichhle saal jo gaane aaye thay woh kisi ko yaad nahi hai. Lekin Shailendra ne jo 60 saal pehle likha tha woh aaj ke 20 saal ke logon ko bhi yaad hai. Wonderful work is at all times appreciated.”
