Dibakar Banerjee: It turns into gimmicky when wealthy filmmakers sit of their SUVs and say ‘I’ll inform the story of a transgender’ – Unique |

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Dibakar Banerjee: It turns into gimmicky when wealthy filmmakers sit of their SUVs and say ‘I’ll inform the story of a transgender’ – Unique |

On the earth of films, just a few administrators dare to enterprise into the intricate labyrinth of human relationships with the finesse and depth that Dibakar Banerjee brings to the desk. As he gears up for his newest endeavor, ‘Love, Intercourse Aur Dhoka 2,’ ETimes sat down with the filmmaker to delve into the nuances of portraying delicate subjects with out succumbing to gimmickry.
“The one method to make sure that it’s not gimmicky is that it’s important to sit with good script writers, your private experiences, and analysis,” Dibakar expressed as we started the dialog.

‘Love Intercourse Aur Dhokha’ will discover its viewers: Director

Identified for his nuanced storytelling and daring narratives, Dibakar emphasised the significance of authenticity in tackling advanced topics. “It turns into gimmicky when wealthy filmmakers sitting of their SUVs or high-end automobiles say ‘I’ll inform the story of a poor individual, transgender, folks singer, or a beggar.’ So ye tab hota hai jab goore goore log baith ke kale kale logon ke liye apni kahani banate hai (This occurs when fair-skinned folks narrate their tales for the dark-skinned inhabitants),” he stated.
“However if you end up standing on the street, your shirt drenched in sweat, you’re feeling a quench, you might be ready in your cab and then you definately see a beggar, or a folks singer, or a transgender who will get into prostitution for a dwelling, it is on that street, that the gap and gimmicks are decreased,” added the director.

Moreover, Dibakar Banerjee highlighted the significance of collaborating with writers who share a real ardour for storytelling, devoid of superficiality, “You even have to pick out writers who’re free from gimmicks. So I reached out to the writers Prateek Vats and Shubham, after watching their movie ‘Eeb Allay Ooo’. I informed them to assist me as I can’t do it alone.”
The method doesn’t finish right here. “Then, they (the writers) examined whether or not I used to be honest or not, whether or not I might keep away from Bollywoodgiri or not. As soon as they had been glad, we made the movie,” concluded Dibakar Banerjee.