A painter working in solitude, ; a theatre director steering a bunch of actors in a play-process; a chef remodeling a easy dish into one thing unique with only one ingredient — these had been the imageries Karl Lutchmayer’s piano enjoying conjured up in a single’s thoughts. His lecture-recital carried out at Bangalore International Centre (BIC) was themed across the nocturnal, however Karl’s musical storytelling lined an emotional vary that allowed for impartial interpretations too.
Diverse kinds
Karl launched every of the chosen composition, mostlyfrom the Romantic and Modernist eras of Western classical music. From “religious ecstasy” and “gothic horror” to tender reminiscences, the music wove collectively numerous textures of the night time, providing reflective, hopeful, serene and scary eventualities — all encompassed in his music.
‘Notturno’, by Norwegian composer Edvard Grieg, opened the live performance to a meditative area, accelerating in direction of the top into the music of a nightingale. ‘Three Intermezzi’, the second piece was not any “gentle lullaby” however “a lullaby for a bachelor,” Karl stated, whereas talking of how the German composer, Johannes Brahms, had written it in his twilight years when he thought he was properly previous writing any extra music.
Interesting nuggets
Hungarian composer Franz Liszt’s ‘Benediction de Dieu dans la Solitude’, delved into the milestones and challenges alongside a religious path. The pauses, full of questions that may accompany such a quest, led to music suggestive of a church. Liszt’s fashion of working led him to invent his “job as a touring musician and teacher,” shared Karl. Nuggets akin to these introduced each the musician and the music alive for the viewers.

Karl launched every of the chosen compositions
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Special Arrangement
Another Hungarian composer Bela Bartok’s ‘The Night’s Music’ enlivened a “forests of sounds,” describing “bugs, frogs, raindrops,” on a wet night time. Bartok’s music, Karl defined, is marked by experiences of a nation life he favoured over city dwelling. The free-floating sounds, emanating from this piece, belied the notated music that Karl learn whereas enjoying. Remarkably, this was the one piece that Karl used sheet music for. The final piece, ‘Gaspard de la Nuit’, by French composer Maurice Ravel, strung collectively three smaller items that had been marked by neo-gothic horror, shock (not nice ones) and strangeness that included a physique swinging in a excessive tower, a rope dripping blood, bugs, a spinning hobgoblin and a siren whose overture of love meets failure.
Karl stated: “’Tales of the Night’ explores the human relationship with the night. There’s wistfulness and memory, peace and spirituality, as well as heartache and, of course, the spookier side of imagination.” While learning doctorate at Cambridge, Karl examined “more intimate sound worlds” and discovered himself ”drawn” to the music of Brahms. This was the start line of the work that later “coalesced around three different, major works by Brahms, Liszt and Ravel.” He anticipates that he will likely be enjoying music of “extraordinary, young composers” from throughout India the subsequent 12 months, particularly the works of Utsyo Chakraborty.

Karl has carried out throughout India for the reason that age of 15 and presently resides in Goa
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Born and educated in Britain, Karl has carried out throughout India for the reason that age of 15 and presently resides in Goa. He highlights the important thing variations between the Western classical music scene in Britain and India: “Here, it is fairly young and expanding, whereas, in Britain, it seems to be atrophying. Most teachers here have a waiting list, and there are increasing opportunities for musicians in this genre, though music education here is not as developed as it is there.”
Karl additionally stated that “for a proactive and entrepreneurial musician, India is a land of opportunities .” He identified that “of the nine lakh engineers graduating each year, only about 42% get engineering jobs, whereas, music teachers with a grade-8 certificate, which is the equivalent of the 12th standard Board exams, earn very well and have waiting lists.” A seasoned performing musician, who’s as skilled and captivated with instructing, Karl stated that he would I encourage music college students to not take back-up levels, however to comply with their ardour wholly as India might be the one place on earth the place demand outstrips provide for Western music.”





